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The years —36 are marked by transcribe, and how do his movements shed light on the itinerancy, as substantiated by a few of his other surviving production of the Timurid Micrajnama? For an engraved gold red lacquer sutra box and manuscript covers that resemble closely the doors of hell, see 55—57, pls. Very soon thereafter, however, the micraj as that traveled across the Serindian road to the Ming capital a subject unto itself and as a teaching tool seems to have of Khan Baliq Beijing. University of Oklahoma Press,
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By the sixteenth with a couple sitting on its open-air balcony. Particularly noteworthy in the Timurid intentional rather than a momentary oversight.
These many notions, which are depicted in pictorial form The artist depicted the Prophet Muhammad in such a but are essentially religious in character, attempt to express way as to reveal his physical characteristics as they are the gulf between the human and divine realms, thereby described in textual sources,32 while Vakf?kebir paying proving that the artist of the Micrajnama mastered both tribute to his prophetic status.
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